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Sorries

(x = space)

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Sorries

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Maybe there is

Nothing more

Sometimes

Except to say we’re sorry

We’ll do better

Then do better while

Moving on

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C L Couch

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Photo by Andrew Johnson on Unsplash

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(I made up “sorries.” Sorry.)

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Close Call

(x = space)

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Close Call

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Danger, Will

Heatstroke air today

Both hot and humid

You’d swear we were

Sitting, rocking, reclining

On a porch

In a Southern family drama

Spanning time,

Hope, and cynicism

Sipped by lemonade

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Don’t stop me if you’ve heard this

But once I asked a Southerner

How Southerners

Endured all the close heat

There

I thought maybe home remedies

Or some adaptation over generations

Here’s what I was told:

Air-conditioning

Sigh

No saga

Only appliances

Or a central system

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C L Couch

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First-edition dust jacket cover of As I Lay Dying (1930) by the American author William Faulkner.

https://commons.wikimedia.org/w/index.php?curid=91865318

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Each One an Apocalypse

(x = space)

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Each One an Apocalypse

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I look up to hills

From the valley

It’s not that the rescue

Has to come from there

Though there are climactic moments when

Over the ridges

Everyone needed

And everything

Appears

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It’s that wherever from wherever

God is there

And it is God who rescues

Who swoops down

To carry us from battle

Takes us to water

Moving just enough

For a hand to fill

From which to drink,

Clean water played

Over wounds

We are better than we’ve felt for days

We are lifted up again

And taken to a home

Whose dimensions have been guessed at

But whose simplicity

In majesty

Is unknown ‘til we’re there

Where living’s perfect

And we are told

To stay

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Each has an Armageddon,

An apocalypse

The unprevaricated spirit

Manifest

With mortality and eternity

On either side

And through and through

Some have called trinity

But is the nature of the Lord

Relational

And relational with everything

Forever

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C L Couch

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Photo by S Migaj on Unsplash

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Stone Soup

(x = space)

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Stone Soup

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I don’t know what to say today

I want you to have a good day

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And for a while

To know good days

And what to do when days are bad

Beyond the dreaming we all do

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So that it’s

What we know to do with what we have

Sometimes that’s hard

And hard to believe we have

I’m poor

I know

Too close to the legacy

Of art and artists

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But I know good people

Am learning to ask

And not gauge heaven by response

Or lack thereof

But to keep trying

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Also allowing expectation

We live

We are entitled to live

I don’t know about evil people

I know so few

You are entitled, too, I suppose

I am not God

And cannot judge as God

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But the many, many, many

Of us who are not evil, not pure good

A mix, you know–

Choose a complementary color

We are colors

We color the world

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And are deserving

You deserve

A good day and another

A whole bunch like bananas

Or corn kernels on the cob

Or other things so many colors

(as I’ve said)

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Anyway,

A wish is not a horse

Or an electric car

And, drat, we have to try

The curse of Adam, some would say

Eve is cursed as well

But curses are not endings

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“We have to make our own way,”

I just heard,

Which is true

And there’s so much more

There’s you

There’s me

And any me or you who happens

To be close to you or me

In distance

Actual

Or relative

(and there’s cyber-),

Which is to say

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A nearness

(actual or relative)

To help make life

One bowl of stone soup

At a time

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C L Couch

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     Stone Soup is a European folk story in which hungry strangers convince the people of a town to each share a small amount of their food in order to make a meal that everyone enjoys, and exists as a moral regarding the value of sharing. In varying traditions, the stone has been replaced with other common inedible objects, and therefore the fable is also known as axe soup, button soup, nail soup, and wood soup.

Wikipedia, the free encyclopedia

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Statue of a monk and stone soup (sopa da pedra) in Almeirim, Portugal

By Adriao – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=7645719

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For the People

(x = space)

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For the People

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We give billions

Might I have a smidgen

Might we all and each

Have a smidgen

Two smidgens, maybe

Our money from our coffers

Save other nations’ people,

Too

It’s mid-month and I’m feeling

Especially impoverished

It’s the thirteenth

On a Friday

And I’m tired of

Anything like

The curse of the day

Or Cain

The penury of Lazarus

Under Dives

I know, L gets to heaven

Where it’s wealthy

Without coin

And through and through

But I’m still here today

And want to be,

Not knowing the other

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I’d like to have

Some easy days

If possible

Summertime

As Gershwin says

As she sings

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C L Couch

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Photo by David Sutton on Unsplash

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Tired Love

(x = space)

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Tired Love

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Everything should stop

You’re tired

Haven’t quite hit the wall

But everything’s okay enough

And you’re tired

Time to snap

Like upper and lower crocodile teeth

But don’t

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Give everyone a break

Sorry if the world does not agree

But you have to

Have a drink

Water’s good

Be still

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From within, get to know

The bones and muscles

The rest of you

And rest

Some minutes of this will help

If you can retire for the day

Like a vacation

You can feel that good

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Maybe not less serious

All issues remaining,

After all

But better in a somber way

That matters

Then go back to it

To her and him

And them

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C L Couch

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Photo by Simon Watkinson on Unsplash

A crocodile jumping from a river in Darwin, Northern Territory, Australia.

Darwin NT, Australia

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Idea

(x = space)

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Idea

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Here’s an idea:

Leave Ukraine live

Leave Russia live with remorse

While rebuilding

Its neighbor

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We know

There is no recourse

For life lost

Beyond revenge,

And there’s no point in that

Since taken to extremes,

Well,

Our planet burns

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But Russia can retreat

Tying up its turrets

Into shoelace- or ribbon-chapes

Send rubles back

With many, many helpers

My guess is

There would be volunteers

Among the soldiers

And the uninvolved

Back home

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Let this be a pattern, then

Let the Rohingya live

And South Sudan

And blacks and whites

In the USA

And elsewhere

And the other colors, too

Let there be colors

Let there be textures

Let there be sounds

And smells and

Things to taste

The best of these

Makes an amazing world

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Let there be self-competition

Dreaming

Without nightmares

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In the living

Let us be fed and watered,

Educated and secure

So that when heaven comes

We meet each other

Easy, unexpected kindred

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C L Couch

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Photo by Tobias Schlienger on Unsplash

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Conjuration

(x = space)

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Conjuration

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By the pricking of my thumbs,

Something wicked this way comes

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Was it

A curse

Or a conjuring?

Did she invoke

The wicked thing

Of was she

Foretelling

Simply telling

Sisters

And us all

What would happen

Next?

Are they

Prophets,

Soothsayers

Commenters

Like the chorus?

Or worse,

Are they

Seed-planters

Giving Macbeth ideas

That were unformed,

Half-formed,

Fully-formed

Ideas as

Ambitions?

Who made the heroes

And the foils

In context

Of the story?

Who is our

Storymaker,

Storyteller?

Glamis, Cawdor

King

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We who can

Who are allowed

To rise in thought

Have plans

From our ambitions;

Pray we do not meet

The made-up

Or implanted

Witches in the mind

But choose to walk

In other parts,

Another way

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C L Couch

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Macbeth Act 4, Scene 1

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Photo by Marc Schaefer on Unsplash

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The Second Story Mountain

(x = space)

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The Second Story Mountain

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Merton wrote

The Seven Storey Mountain

About his journey to faith

And affiliation

David Brooks has written

The Second Mountain

About the search for a moral

Life that also

Has in it

Brooks’s journey into faith

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There are many such stories

(John Henry Newman, Anne Lamott

Karen Armstrong—I give these folk

in order of reading them),

And high places

Are often an association

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Once we climb, once we achieve

The phenomenal

The numinous,

We end up

On a mountain top

There is, in fact, the mountain-top

Experience,

A trope of faith

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On my way back recently,

I skirted a tunnel torn up for construction

And drove over two mountains

As an unmarked detour,

Taking roads who edges were too near,

Too sharp, too narrow

I was scared

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And wondered among things while driving

How folk could live on either side,

Having these as ways

To take a normal day

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I don’t like heights

I don’t like driving off the road, either

It’s all done now, and if I’m smart

I’ll never take that way again

There was a mountaintop, I guess

There were two such tops

I only noted a change in incline

Down from up

There was not a park or anything

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A pullover,

A bench with an inscription in huge letters

Come and have your mountaintop here

Rather the only words I got

Were my own

That said, don’t look down so much

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I’ll live in the valleys,

I suppose,

And have my faith life there

Or at the oceanside from time to time

It’s not stormy weather

That I mind

Though someday it should take

Me home

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I’m sorry, this is more a story

Than a poem much cleverer,

Not much more

Than talking

In the room

Over coffee or some such,

Should we be meeting

At a table

Or in comfy chairs

Or with both

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I have my life of faith, such as it

Might be

I hope, I even pray, that

You have yours

In a healthy sect or tradition

That suits you and

Creator and

Creation

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Fits you like a story to

Which you return

Time and again

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C L Couch

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The Seven Storey Mountain by Thomas Merton

The Second Mountain: The Quest for a Moral Life by David Brooks

Route 641

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Photo by Fabrizio Lunardi on Unsplash

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