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Arts and Sciences

(x = space)

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Arts and Sciences

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It used to be

That art was the vision

Science the practice

(of the vision)

Thus there was connection

As between birth

And grown-up life

That was not ineffable

But practical

Workable

For visioning, producing

Of an age

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Now we don’t like each other

The theoretical

The practical

We grumble and we look

The other way

Well, to our way

If we must, we sigh

Whisper nearly sotto voce

For a bit of theory

Or a bit of usefulness

Or industry

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Music, math

The Renaissance

Philosophy

Reading, writing

How to build community

Through argument

And pipes

And water fountains

Statuary for the ages

Buildings that make sense

Can be maintained

And are beautiful

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They’re coming back, perhaps

I see new works in small towns

Better than returning is

Moving forward

Time for a new alliance

New connections

New community

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Make new friends

And keep the old;

One is silver

And the other gold

Not bad for an age

Every day a merger

Every breath a hope

In vision

Words

Plans

Building

And-or preserving

The streets, the place,

And planet

We all live along

Each one

Each other

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C L Couch

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Light in the Law Quad

Photo by Mathew Schwartz on Unsplash

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“Make New Friends” is a scout and camp song (a round) whose creators are unknown and whose lyrics have variations.

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for my poem friends, then all the rest

ISIS doesn’t like the arts

The terrorists brought down marvels
in ancient statues and friezes, having
murdered the curator defending these

and having no gun. They fired with guns
into a Paris concert venue, while the music
played and fans were sinuously in

tune, young ones with blissful
countenance and their own song. For this
was Friday night, and love for music

elevates. “They don’t like music,” Bono
claims, and he is right—art and
beauty have no place

in the terrorist agenda. So
dangerous must be the muse’s power
to prod a people into thinking and loving

with all art’s inspiration. So
much is beauty feared in the
mad-monger’s eye that it must be

demolished. And so we must see straight
and straighter. Protect our people, fight
back, and preserve our beloved and unique

intuitions and expressions. We must
remember, too, this is not a war on
Islam, whose tenets teach welcoming

and prayer. But what we make—which
is the poem’s meaning, that is, to
make—is taken now as part of who

we are. Life is better. Yet art moves
the heart, wakes up the mind: opening
our better selves. This terrorizes terror.

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