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Pilgrim Path

Pilgrim Path

Someday I’d love to walk
The path to Compostela, Spain
The pilgrimage of Saint
James and to his honor

Legacy, the pilgrim trail

I’d like to walk with company
I hear folk band together
On the way

The pilgrim path need not
Be done by one to count

God counts the pilgrim
In the heart, where the
Real path of challenges is trod

not in praise of artificial

not in praise of artificial
inspired by “Good Things” by angieinspired

everything that’s natural is good
of course, that’s not true
tell it to a hurricane

a mindless celebration of water
and force that would as indifferently
snuff out the candle of your life
as it might look at you

which it won’t, because
it does not care, it can’t
it’s only being

natural

Thee Bee of Mee, inspired by a typo

Thee Bee of Mee
inspired by a typo

Tut-tut rain, Christopher Robin
Says because he wants to fool the
Bees into distraction so that his
Mud-cloud bear might swipe honey

From their tree; the bear so-loved
Is grasping a balloon, and bear
And balloon are lifted up toward
A relished but unplanned

Reward of something sweet and
Lasting ‘til the next time the bear
Wants honey—I love the stories
And was named for the bear’s
Boy, who also went down to

The palace with Alice

Paraphrase
Of A A Milne—life by
Christopher Robin
And by me

Tut-tut rain, we say

for my poem friends, then all the rest

ISIS doesn’t like the arts

The terrorists brought down marvels
in ancient statues and friezes, having
murdered the curator defending these

and having no gun. They fired with guns
into a Paris concert venue, while the music
played and fans were sinuously in

tune, young ones with blissful
countenance and their own song. For this
was Friday night, and love for music

elevates. “They don’t like music,” Bono
claims, and he is right—art and
beauty have no place

in the terrorist agenda. So
dangerous must be the muse’s power
to prod a people into thinking and loving

with all art’s inspiration. So
much is beauty feared in the
mad-monger’s eye that it must be

demolished. And so we must see straight
and straighter. Protect our people, fight
back, and preserve our beloved and unique

intuitions and expressions. We must
remember, too, this is not a war on
Islam, whose tenets teach welcoming

and prayer. But what we make—which
is the poem’s meaning, that is, to
make—is taken now as part of who

we are. Life is better. Yet art moves
the heart, wakes up the mind: opening
our better selves. This terrorizes terror.

All Souls, a Poem

All Souls, a Poem

A remembrance of those who are far on
And yet, like Patrick’s breastplate, who
Are over and around us
Above, below, on either side

We are not alone this day; we are
Accompanied
By those whose earthly, counted time
Is done, who
Live in kairos now
Kairotic time, the time of God

Souls, the spirits
of un-never-lived, live
On, live now, live well
Until unmeasured time
Without measure
Ends

C L Couch

a poem to say t.t.f.n. to Writing 201 and friends

Our Way, Friend and Friends

(“My Way” is a song written by Jacques Revaux, Claude Francois, Gilles Thibaut, Paul Anka—popularly recorded by Elvis Presley and by Frank Sinatra)

“And now, the end is near
So I face the final curtain”

A melancholy song about endings
Though it’s kind of a conceit

Not based on final assessment
Or judgment in life

But an expression, a claim
A kind of righteous claim on life

“Regrets, I’ve had a few
But then again, too few to mention”

Yes, we have regrets, and I don’t know
About too few

I would change things; so, I
Think, might you

We don’t act, we don’t choose
In a vacuum of discretion, since

What we enact, from inner to outer
Performance, affects others, too

It does—we might think, one by
One, we have no power

And what we do does not matter
But we do, and it does

“The record shows I took the blows
And did it my way”

Well, the blows fall all around
And others are affected, too

The song is a cheat—though I like
The tune—for there is good

In the reality of knowing we are not
Isolate, even in responsibility

We work together, however
Unconsciously

So let’s do it consciously
And so we have: we have worked

Together, and for what we’ve made
I’m thankful

Thank you, thank you, each and all, for
Making it, not one

But more than one
For doing it our way

Our way, better
Our way, real

Our way, our way

C L Couch

poem I love

This is a poem that I love.

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.

J. R. R. Tolkien, The Lord of the Rings

(published many times by Houghton Mifflin; this quotation is from the first volume—typically, the series is published in three volumes—The Fellowship of the Ring)

I could think of many poems that have meaning: “Church-Going” by Philip Larkin; “Ulysses” by Alfred, Lord Tennyson; “Diving into the Wreck” by Adrienne Rich; any dramatic monologue by Robert Browning. And so on. But a poem I love?

I love this one. Parts of it are often quoted, so I guess there are others who love the poem, too. It has no title, but it’s in the voice of Aragorn and is sometimes published as “Strider.” And, yes, Tolkien is a favorite writer of mine; and his works have been meaningful to me since I was an adolescent.

I love the poem because it’s wise. It speaks of what’s true and what is good. And what goodness there is to come when things are renewed.

And it’s a song.

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